00:00  Big band introduction.
00:05  (A) first chorus.  The band closes the phrase and helps transition to the next phrase.
00:13  (A) the band helps launch this phrase and then lays out.
00:22  (B) Notice how the melody here is similar to the scat singing that will be used on the next chorus.
00:31  (A) This phrase ends sharply to leave room for the vocal solo lead in.
00:38  (A) Solo scat chorus.
00:48  (A) Notice how syllables are used to help create the jazz accents typical of swing horn soloists.
00:57  (B) More interesting syllables used to mimic horn accents.
01:06  (A) Legato scat syllables parallel the style of those used by the ensemble.  The scat solo is extended by a couple of bars to set up the return to the next sung chorus.
01:18  (A) Return to sung words.
01:26  (A) Notice the interplay and accents between the vocalist and the ensemble as an ending is set up.
01:32  This phrase serves as the ending by repeating the final phrase to close the arrangement.  The final sung phrase is embellished with a scat melodic phrase.
01:44  End.
